The House of the Spirits is a drama film made in 1993. The film tells the story of the Trueba family. Esteban Trueba is a violent patriarch but full of love for his wife Clara. It is a story that intertwines love, family conflicts, misunderstandings, tenderness and social injustice, where each member has their own identity among the random events that dot the history of 20th century Chile. The protagonists experience the changing events of their country. At the same time, they are trapped in dramatic family relationships and embody the social and spiritual tensions of a period spanning much of the last century. Gradually we encounter situations of more bitter despotism in the figure of Esteban Trueba (played magnificently by Jeremy Irons) contrasted with the friendliness and kindness of his mysterious wife Clara (Meryl Streep). In this story the characters begin to appear to interact and generate many feelings. It is impossible not to grasp Esteban's harshness and violence, or Clara's sensitivity, the traumas of Ferula's abuse, or the revolutionary ideals of Pedro, who cannot stand the situation of oppression, the impotence of Blanca, who is not It is allowed to love Pedro because the problem is class discrimination. The intensity of the situations continues to grow as the film continues to evolve and comes to play an important role in the prevailing socio-political context: the conservative class against the revolutionary left, the return to the totalitarian state with the military, the ingratitude and human rights trampled upon. The film does not lose pace at any moment and it is very difficult not to identify with your family and social situations in which it is framed in Chile of that period. The main characters experience the changing events of... ... in the center of the card ...... tion of this element, we see that their bodies are touching slightly. Vocals, we find whispers, commands, silences and different tones of voice. Chronics, both characters use time to reinforce their dialogue. Ferula refers to the past of their childhood and Esteban mentions the future. Appearance, The sounds of bells in the background and the music of the organ, their clothes indicate mourning, a coffin and candles. The scene takes place in an elegant café where Ferula has invited her future sister-in-law Clara for tea time, a very popular custom in Chile. Ferula wears only a black dress and a chain with a crucifix as the only ornament and on her hairstyle highlights a chignon. She is sitting at a table waiting for Clara. She seems shy and anxious. Clara arrives late and apologizes for the delay. He exudes kindness and happiness and greets Ferula with a hug and a kiss.