The Beauty Behind Painting Visual analysis is an important aspect of art history. Its main purpose is to help the viewer understand and recognize the artist's frame by observing and analyzing different parts of the image, which should provide them with the basic understanding of what to write about different objects in the image. The purpose of this article is to analyze a group of coherent images and write about the meaning and purpose of those images in their cultural context. First, I will give an introduction to the painters in each paragraph. Then I will examine any objects or characteristics of the person or people depicted. Finally I will examine the purpose of those images in their cultural context. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay According to Lesson 8, Hans Holbein the Younger's 1533 "The Ambassadors" is well known for its anamorphic [deliberately distorted] image of a skull in the foreground, but upon closer examination, the objects on the table between the two subjects are equally fascinating” (Lesson 8, page 3). To analyze an image you need to disassemble it. I viewed different parts of this image on Google and was able to see the hidden parts of the image. There are several objects embedded in this painting and they represent Renaissance humanism. As noted, the main focus of the painting is the two young men, who are an important aspect of humanism. Before we go into detail about the two young men, let's take a look at the different objects. There is a table with two shelves, on the top shelf there are different types of objects related to the study of astronomy and time measurement, while on the second shelf there are the earth globe, hymns and a lute book on arithmetic. On the left is Jean de Dinteville, French ambassador to England in 1533. On the right is his friend Georges de Selve..., bishop of Lavaur, who is also ambassador (National Gallery). Jean de Dinteville wears a linen fur coat and burgundy satin robes. He is holding a dagger on which his age is printed, which is 29. The type of clothing he wears suggests that he is a rich and successful man. Georges dressed differently from Jean. He wears a fur cloak, which gives him a modest appearance. Georges rests his elbow on a book in which his age is printed, which is 25. There is this unidentified object floating on the floor in front of the two young men, implying that these men are always aware of death. The floating object appears to be a skull that is easily identifiable when viewed from the side. The skull appears to be “the most striking aspect of the painting, which is placed on the floor in front of the two rich men. The skull is rendered in anamorphic perspective, another early Renaissance invention. One possibility is that this painting represents three levels: the sky, the world of the living and death” (Wiki).