Within the Australian Theatre, David Williamson and Alex Buzo have used provocative images and ideas to address cultural issues facing Australia through the use of uniquely Australian stereotypes and issues. Using Australia's "ocker" personality and society's power of masculinity over femininity to confront the public on these issues. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay Inside Norm and Ahmed Alex Buzzo creates an air of fear around the character of Norm, the setting of the stage under a street lamp which casts a narrow light while keeping most of the stage in darkness contrasts with Norm's personality, showing Ahmed what he wants to see while keeping his true agenda hidden from both Ahmed and the audience. Norm uses his typical Australian nature to be seemingly harmless towards Ahmed, which Ahmed believes in and begins to break down the walls separating the two different cultures and individuals. When I played the character of Norm and watched my classmates play both Norm and Ahmed, I noticed that Norm is often portrayed as the typical Australian male. Norm uses Ahmed's fears against him, first by presenting himself as an ordinary passerby, hiding his true agenda from Ahmed. In the line "Green fields all around, view of the harbour, Holden in the garage, how cute!", when playing Norm I used gestures and body language to metaphorically construct the Australian dream around Ahmed, lulling him into a sense of false security . Norm then uses this to his advantage as he lures Ahmed into his web throughout the story, while destroying his trust with the audience as they begin to unravel his true agenda. The phrase "F****ing Boong!" along with the captions of "Norm offers his hand" reinforces the idea that Norm traps Ahmed, only to incapacitate him in the end due to his hatred of foreigners, especially black ones. Williamson's use of stereotypes in The Removalists, in order to blatantly shock his audience by creating a parallel to the audience's true reality, this is evident in The Removalists. Kenny represents the "ocker" character of Australian masculinity, "Get us a quick steak or something", "Where's the damn can opener?", Williamson uses the Kenny character to challenge the Australian stereotype of the violent, masculine and sexist male figure . However, with the use of absurd techniques such as devaluing language and the underlying threat of violence. During a class exercise I performed as Kenny, I attempted to create a very harsh, sexist and violent man, using deep, strong voice modulation to establish dominance and control over the scene, while also using body language to dominate others personages. in the scene and control them somehow. I attempted to make Kenny's behavior more intimidating and unpredictable to create tension in the scene and add an air of anger to his dialogue and actions: "Go to the kitchen, get a piece of sliced ​​cow and put it under the grill, you lazy guy ". bitch!”, along with the use of pausing to create tension within a scene that was distressing and emotional for the audience. Williamson shows the audience the typical Australian stereotype by showing the "ocker" figure while presenting the dark side of the stereotype with the violence and sexism of such a widely accepted symbol of Australian culture. The Removalists explores the idea of ​​power through the use of proxemics and blocking. While acting out a scene from the script, my partner and I used the architecture of the room to create a scary environment and.