The Gilded Age (1870-1917) was a time of desire, progress, and class in America. A solid feeling of national pride and reason won out. It was an intricate time in United States history. After a tortuous civil war, the nation was on the rise in power and taking a stand on the world stage politically, financially, and socially. The United States was moving beyond provincialism and there was growing enthusiasm for what was left of the world. America was changing thanks to developments in science and innovation. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essayThe Centennial Exposition of 1876 in Philadelphia showed the growing mechanical age of the country, architects were the saints of the age. The Americans were building extensions, railroads, and machinery. The Brooklyn Bridge, begun in 1883, was "a picture of strength and good faith." Increased production of iron and steel led to the first skyscrapers. New riches and fortunes were the consequence of the industrial revolution; these Americans were looking for ways to spend their newly obtained money. They needed to give their new riches the status and fame of the old European riches. Imitate European goals of nobility and society: Americans began collecting works by European leaders and naming European Renaissance subjects and styles. Growing number of groups of artisans and authors in exile. Many American specialists were moving to Europe, particularly France and Italy. In the late 19th century the United States strengthened its position as a mechanical and horticultural force. In the three decades since the Civil War, a once mostly rural country has transformed itself into the world's top monetary force. Between 1869 and 1899, the country's population tripled, ranch production increased dramatically, and the number of people increased dramatically. While steel mills and oil refineries controlled new mechanical development, more skilled enterprises, such as furniture and silver assembly, worked in vast workshops with multiple workers. Large fortunes were made by financing railroads and other industrial enterprises; both capital and labor have experienced cycles of explosion and failure. Regular working women (mostly between the ages of sixteen and twenty-four) became increasingly important to the mechanical economy, filling jobs in physical industrial plants and sweatshops. The rise of the city in the nineteenth century created an unmistakable urban society. Millions of people moved from the countryside and abroad to join the city dwellers, the urban population rose from 6 million to 44 million between 1860 and 1910. A steadily growing number of vagrants from southern and eastern Europe, from 'Italy, from Poland, from Russia, settled in urban communities. Famous entertainment venues, such as entertainment meccas, vaudeville theaters, and travel trips, indicate the development of an urban social vision that was broadcast throughout the country by famous periodicals. Businesses offering cheap goods at fixed costs and mail order indexing organizations spread the guarantee of consumerism across the nation. Urban communities developed into metropolitan areas with rural areas associated with mass travel. Busy downtown commercial areas began to grow as the development of steel structures and mechanical elevators made skyscraper development conceivable along the skyline. Benefactors raised the American Renaissance to decorate the city withcity ​​monuments, fabulous houses and open figures. New open bases of higher society were established in metropolitan centers; Exhibition halls, libraries, musical drama organizations, and ensemble symphonies were worked with the support of private individuals who sought to teach America's new urban foreigners. The framework of craftsmanship developed with the founding of galleries, for example, the Metropolitan Museum in 1870. Craftsmen and designers attempted to create an American style no longer in need of European models. The growing corporate economy added white-collar class positions with supervisors, accountants, engineers, sales representatives, and stylists. The nineteenth-century ideal of the drawing room as the focal point of residential society began to weaken, under the onslaught of a burgeoning struggle for women's activist development. Splendid autonomous ladies challenged the structures of subordination within the family. Various girls' schools opened in the 1870s and 1880s. The “New Woman” of the 1890s regularly brandished a scholastic education and an independent character (38.104). Skilled decorators took responsibility for the house inside, for example Louis Comfort Tiffany (1848-1933; 96.17.10), who later became known for his Art Nouveau glass preparations, and Candace Wheeler, who improved the crafting and drawing as paid professions for women. A series of wonderful world's fairs has granted global stature to the United States and praised the latest advances in science and innovation. The Philadelphia Centennial Exposition of 1876 revived enthusiasm for the expressions of human experience and the specialties of the North American pioneer (1996-95). and promoting the development of high-quality article craftsmanship and craft workshops. Both developments looked to medieval and Asian configuration sources and supported female professions. Specialists, for example, Mary Cassatt (1844-1926) and John Singer Sargent (1856-1925) rushed to Paris in the late 19th century to paint advanced subjects in imaginative ways (16.53). Some left delineations of scenes and scenes from the ordinary life of the white-collar class, painted with the splendid palette and common light of the Impressionists. In 1886, William Merritt Chase (1849-1916) became the first true American painter to create impressionist canvases featuring a series of images of New York's new urban parks. A conspicuous group of designers, including Daniel H. Burnham (1846-1912) and Louis H. Sullivan (1856-1924), organized the 1893 White City World's Columbian Exposition in Chicago, with its modern-day urban vision of design Roman and Renaissance (99.2 Jaffe, 2007). Chicago took over the Midwest and tried to match New York in creative urban profile. Led by Frank Lloyd Wright (1867–1959), organizer of the Prairie School, Chicago planners sought to shake off the European foundations of the Beaux-Arts and looked to the American scene for motivation. The Western scene gave enormous motivation to both specialists and researchers, for example, the painter and stoneworker Frederic Remington (1861–1909; 07.79) and the history student Frederick Jackson Turner (1861–1932). The unfathomable traces of the Western wilderness were set aside for national parks, often after becoming public through the work of painters and photographers, such as Albert Bierstadt (1830-1902) and Carleton Watkins (1829-1916) of the Rocky Mountains and Yosemite Valley. San Francisco pioneers organized the 1915 Panama-Pacific International Exposition to laud their city's rise since the 1906 fire and recognition of a continental kingdom during the.