Girish Karnad explained in the introduction to some plays: "The energy of individual theater arises from the fact that, as much as it tries to maintain the old qualities, it also has the meaning of scrutinizing these qualities, to build them, essentially remain in the lead attention to the focal disadvantage." (Karnad.1999:14) 'Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get Original Essay Girish Raghunath Karnad, born May 19, 1938, is an Indian artist, executive, author and writer specializing in nursing. is a recipient of Jnanpith Award 1998. He was awarded Padma Shri and Padmabhushan by the government of the Asian country. Territory units of his contemporary like Badal Sarkar, Vijay Tendulkar and Mohan Rakesh. His works are units like Nagamandala, Taledanda, Maa Nishaadha, Yayati, Tughlaq, Hayavadana, Anjulimallige, Hittina Hunja. In his plays, Karnad supervised fashionable issues commonly related to the exploitation of history and folklore. His games focus on topics of Indian legends, history, conventions, customary information, and theaters. Furthermore, the area unit is a vehicle for the needs of human activity, the jealousies, the frenzy, the search for impeccability and contentment, the interminable clash of interests and the territorial unity prominent in giving a headquarters and a notoriety to the desires and needs of man. Girish Karnad has demonstrated the realities of Indian culture in his works in a {very} coordinated manner. Naga-Mandala is a sociological survey of young Indian women composed between 1987 and 1988, a generously refined emotional shift of two individual stories of space, described by young women as they feed the young within the room. It has not exclusively discovered the presence of a general public wherever a woman is considered "second sex", "other", "subject", "not man". in this method, women are educated to embrace the patricentric belief system and commonality of men; and then they adapted to spoil their sex and work in their own subordination. The patricentric force has denied young women understanding their profitable, inner selves. The work also advises to cure and slap the customary society through the compromise between nobility and Naga. Karnad was insightful towards women's activist philosophies and thus the calamity conceived by patricentric belief systems in Indian culture. Naga-Mandala is by all accounts a whole in which moral conflicts, relationships of control and thus the battle for personality are adequately addressed. Taledanda could be a dramatization of the development of a broad problem and social development, Veerashaivism, in the twelfth century zone. Written in 1990 against the backdrop of the Mandir-mandal experience, the dramatization parallels the socio-religious, political and economic state of the present era and the South Asian country in the 12th century AD through the commitment movement. This invalidates the Indian 'permanent structure', also called 'Varna structure', which would be the result of a Hindu story that cites the introduction of man to the world as a hypothesis from the different parts of the god Brahma. Taledanda clarifies the social degeneration in his shifted points of view. Karnad also presented the socio-mental trait of a woman by discovering the place of a woman within the general public. Please note: this is just an example. Get a custom paper from our expert writers now. Get Custom Essay Karnad's work was composed in the backdrop of Protestantism and then communalism. With the help of these 2 writings, he discovered the subtle impacts of.