IndexLines in the Rowers' BreakfastRepetition and variation in the Girl in front of the mirrorLinear perspectives looking towards ParisReferencesLines in the Rowers' BreakfastDifferent types of lines were used in the production of Breakfast in boat with real lines that serve the purpose of delineating the subjects. The curves of hats and human shapes are enclosed in lines that we can actually see. There are also implicit lines in the painting with the aim of guiding the viewer in interpreting the activities and interactions in the artwork. When a subject in the artwork directs his gaze somewhere, for example, the viewer is automatically forced to check what interests him. Sometimes two people can look into each other's eyes making the line connecting their eyes the implied line. The third and fourth people from the left in Luncheon of the Boating party look at each other, explaining to the viewers why the man turns his back on them. The lines also help distinguish geometric shapes, such as the parallel stripes that represent the tarpaulin in the painting. Spherical shapes were also used to represent the grapes on the table. A blend of cool, natural and warm colors ranging from blue, green, red, brown, pink, yellow, white and black have been incorporated to create a festive galaxy. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original EssayRepetition and variation in The Girl Before the Looking GlassRepetition and variation were employed in the production of Pablo Picasso's The Girl Before the Looking Glass to communicate to the viewer about the Cubist artwork. Repetition implies first of all the duplication or subsequent production of similar subjects. The most obvious example of repetition is evident in the implied reflection of the girl in the mirror such that the viewer sees two girls. Variation, on the other hand, involves the artist's freedom to creatively represent the subject as he wishes. The girl's reflection, in this light, is not identical, highlighting that Picasso used variation to extend his creativity. As far as balance goes, Picasso's artwork is almost symmetrical. Symmetry can only be achieved if each half of the artwork resembles the other when split in two. Although the mirror is right in the center, it does not serve its intended purpose and the artist instead introduces different facial features and colors. The artist does this because Cubism as a style is not eager to communicate an actual representation and instead invites the viewer to make interpretations by verifying a close resemblance to the subject the artist seeks to communicate. The girl's face in Girl Before a Mirror is the main focus because it serves as a cue for the viewer to discover what the artwork is about. Although it is made in a cubist style, which focuses on abstract features, the viewer will take note of the face and use it to interpret the other shapes. The circles in the center of the artwork, for example, represent her breasts, although they are difficult to interpret without a face. This is also the case with the hand, as it is not painted as realistically as one would expect. The painting tends to communicate the idea that things are not always identical even when duplicated through a mirror. Please note: this is just an example. Get a custom paper from our expert writers now. Get a Custom Essay Linear Perspectives View towards Paris There are two linear perspectives employed in Jean-Baptiste-Camille's Sevres Brimborion View towards Paris to create an illusion of