Gabriel Garcia Marquez is famous as a Colombian novelist who introduced the world to the literary genre known as Magical Realism in his short stories. Magical realism is about superimposing the fantastic with reality; the occurrence of magic and myth in the routine of daily life. The protagonists accept these elements into their lives, and the reader welcomes them into the story through the use of a naturalistic tone. Having been raised and raised by his grandparents, to whom he attributes most of his success, as at the time he was growing up, his parents were not allowed to be together, Gabriel Garcia Márquez is known throughout the world as a man after real life experiences that led him to embark on a journalist's journey and eventually reached a point where he is the guru behind the literary genre of Magical Realism in storytelling. A revolutionary master who claims that his stories were based on nothing but real-life experiences that were more bizarre than anything he invented. Some of these real-life experiences framed his novels in his hometown of Ara Cataca – Macondo as “100 Years of Solitude.” Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay While this may be one of his best-selling novels of all time during his lifetime, some of his most acclaimed works are in order of short stories speaks as much in today's society as it did when he was little. He was able to inspire millions of people around the world with his writing and his articulated symbolism. Not only was Gabriel Garcia Márquez expansive in his short stories, but he helped bridge the gap in addressing and inspiring society through the various notions of symbolism and imagery he uses in each of his vast library of short stories. An example of a short story is "The Handsomest Drowned Man in the World." Marquez is one of the most important authors of the Magical Realism movement and this story has all the certifications and embodies this genre. In the story “The Most Handsome Drowned Man in the World”, Marquez sets the scene of an island where a village is located and in extension the villagers have a small living settlement entity consisting of crushed houses. This settlement has at least twenty wooden houses with stone courtyards and no flowers, hanging on a desert promontory with no sight growing on them. This is further demonstrated in the promontory's description that the villagers cannot even bury their dead, but rather throw them off the cliffs of the promontory. In their daily life, the body of a drowned man washes up on their shores and the village children run to play with him just out of their naivety and curiosity. The parents are quite ready to deal with this new development on their shore and when they pull him out of the water and realize that the man is dead. As usual, the women slowly begin to collect debris from the drowned man to prepare him for burial. and in the midst of this they dig up the shell of which the drowned man is. Immediately, the dormant sexual feeling emerges from women who come to the point of finding it deafeningly beautiful. At first, they find it difficult to even process what they see as Márquez states that "It leaves them breathless... there is no room for him in their imagination" with this comes a spark of imagination from the villagers who continue to imagine what it would be like to have the drowned man – who they now call Esteban – in the village with them. The men get a little jealous and overwhelmed by Esteban as they carry him oncliffs of the promontory, but soon after they realize that they as a village can do better when an imaginative desire awakens in them; the villagers take up arms to improve themselves. At the end of the tale, Márquez points out that the village has been transformed into a livelier place than it was before Esteban's arrival on their shores. Gabriel Garcia Márquez in his representation in the story "The Most Handsome Drowned Man in the World" tells and shows a connection with anyone who reads the piece as a connection with his life and his surroundings. The theme of transformation used by Marquez shows not only his personal journey from a small hometown in rural Colombia to a global stage graced by his writings, but also shows the transformation of oneself through each life process we go through to get to the point to achieve greatness. Through reading the story, you can see Marquez's writing go through all the emotions, from jealousy and admiration to instances of self-understanding and realization to do better: a part of transformation that is close to his heart in the process of sharing his experiences. The way of narration presents an omniscient and intrusive narration style that shows him as an omniscient and all-seeing narrator, but also gives readers the opportunity to interact with the characters in the story and understand what they are thinking. Looking back on his career as a journalist before a novelist, Márquez was able to interact with people to get information about real-life experiences that were happening on the ground and then tell them in line with what newspaper readers would understand and gain a greater involvement with the daily know-how of the state of Colombia. This is also emphasized by his sense of hyperbole and exaggeration to capture the reader's mind and interest. The plot of the short story portrays a small, barren, overcast village with inhabitants who know each other intimately as they happen to learn that none of them have drowned simply by looking around. There is a dramatic shift in realization from a small, barren, confined world to a large, open, rich, and abundant world as a result of Esteban's arrival on the village shore and their eye-opening experience in doing better for themselves. This same personal drive is what drove Márquez to want to move away from simple journalism in order to tell stories about people and real-life experiences that everyone can relate to and connect with. Naming the drowned man as Esteban is a close representation and appreciation of Marquez for his South American heritage. It depicts Esteban who, as history goes, was one of the first South American heroes and explorers to set foot in the new world and to open the eyes of fellow slaves to a new world full of new possibilities. Esteban in the short story stands as a symbol of unity and awareness that the villagers have much more potential to make and improve the existence of a world full of growth and new possibilities. This is illustrated by the villagers' awareness that if the drowned can grow even after death, they as a people and as a village have a much better chance of growing and developing while still alive. World” is a simple story, told in a naturalistic style but with considerable symbolic value. As the village is awakened from its sleep by this agent of change, so can we all do the same. If we look at others with passion, with compassion, without jealousy; if we aim higher, we too can live in the village of roses, the world full of possibilities. It is clear that thanks to Esteban's presence, the village transforms into the village.