Index IntroductionVariations in plot settingsExpression of the qualities of the main charactersSuitability of film genresConclusionIntroductionThe quality of a film is denoted by the extent to which it captivates the viewers. Some songs may work better when performed on stage than when presented in film form. On the contrary, some works are perfect when offered as films, as opposed to when performed in the theater. Good characters, simple plot, relevant themes, attention to detail and a decent ending characterize an excellent work of art. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay The Phantom of the Opera, released in 2004, is a British-American musical film inspired by a novel written in 1909 by Gaston Leroux. The film captures the events of a love triangle involving the Phantom, Christine and Raoul. Although it showcases spectacular musical performances, the film fails to effectively showcase the themes of romance and horror. For this reason the musical could be more captivating if performed on stage. Metropolis, on the other hand, is a 1927 German science fiction film focused on the theme of inequality in a futuristic city. The film showing the unification of the upper city with the underworld was excellently produced. As such, the play would not do well if performed on stage. The Phantom of the Opera and Metropolis demonstrate very well how one piece might work better on stage and why another piece suits a cinematic art form. Variations in Plot Settings The filming location of The Phantom of the Opera is entirely located at the Paris Opera House. The art object may work best when represented on stage, as the Paris Opera House is itself a theater. Provided that almost all the scenes captured in the film revolve around the theater, staging a stage performance of the opera could lead to impressive results compared to the case of a cinema presentation. The film reveals that people would subscribe to at least three performances weekly gathering in the foyer of the Paris Opera House. A chandelier illuminates the foyer to enhance the aesthetic aspects of the theatre. A similar visual display could easily be achieved in a theater setting, facilitating the performance of the artwork. In addition, the setting of the plot generally takes place inside the theater building, which makes it reasonable to perform the artwork on the stage. The film begins with a scene of an auction conducted at the Paris Opera House before viewers are transported back to 1870, where the rehearsals took place. for a performance of Hannibal of Chalemau. Specifically, a series of events, including the replacement of Carlotta with Christine as the lead diva, musical performances, the arrival of Raoul, and the capture of both Christine and Raoul, take place within the Paris Opera House . In addition to the plot captivating viewers with excellent Phantom-inspired musical performances, the lack of multiple plot settings contributes to the film's dullness. In other words, the artwork appears more like a stage play than an actual film due to the lack of richness in terms of different scenes. As such, the limited plot scenarios involved in The Phantom of the Opera make it suitable for stage presentation. In contrast, the plot settings captured in Metropolis fit a typical science fiction movie spectacle created in the late 1920s. The filming locationsof the film capture the economic inequalities in the upper city and underworlds of a modern city-state in the year 2026. The film's plot moves from one setting to another as Maria tries to reunite the exploited workers of the underworld with the thinkers . and planners, who enjoy the luxuries in the world above the surface of the Earth. The scene in which Freder accompanies Maria to the underworld to gain first-hand experience of the adversities that workers face helps viewers develop a perfect sense of the rift between the two halves of Metropolis society. The plot settings of Metropolis, which is a silent film, allow the audience to gain a clear understanding of the characteristics of a modern city. In particular, the film shows scenes that represent a typical metropolitan environment by showing events in the entertainment district and the area along the cathedrals. Illustrating such scenes on stage could be challenging given that the play is classified as a science fiction film. Therefore, in addition to the subject matter of the work showing events above and below the Earth's surface, Metropolis involves various plot locations that make the film appealing, unlike the limited filming locations in The Phantom of the Opera. Expression of the qualities of the main charactersThe main The character should demonstrate the qualities that make him exceptional. In The Phantom of the Opera, the character playing the title role displays the qualities of a musical genius. The Phantom sings several records, including "Music of the Night" and "Stranger Than You Dreamed It", in a surprisingly rich voice as he tries to convince Christine to stay with him. Furthermore, the Phantom's musical prowess is confirmed in the scene in which he leads Christine to take on the title role of the soon-to-be-released opera II Muto. Furthermore, the Phantom expresses his deep love for Christine when he overwhelms the audience by singing "Down Once More". Undeniably, the main character is a talented singer and musician who played his role flawlessly. The musical performances that dominate the piece would attract an astonishing reception from the audience if performed on stage. The musical genius easily manages to make people stand on their feet every time he performs a song on stage. A theatrical performance of the original book would not only enhance the entertainment aspect of the musical art object, but also evoke romantic emotions in the audience. Therefore, the musical aspect of the work, as well as the extraordinary voice of the Phantom, make it suitable for a stage performance better than for a cinematic presentation. On the other hand, Maria demonstrates the quality of a devoted advocate who seeks to unite wealthy urban planners in the upper city with neglected workers in the underworld. Maria denotes the quality of defender of the oppressed workers by convincing them to wait for the arrival of the “Mediator” instead of engaging in a violent revolution. The angry workers listen to Maria as they hope for changes that would improve their well-being. Furthermore, Maria expresses the quality of a human rights advocate in the scene where she convinces Freder, Fredersen's son, to follow her to the underworld. In doing so, Maria prepared Freder for the role of mediator who would facilitate the unification of the two halves of Metropolis society. Metropolis is better presented in the form of a film than a stage play as Mary perfectly expresses her evangelical qualities as a main character. Maria is enthusiastic about helping the workers raise their living standards despite being imprisoned in Rotwang's house located in the upper city. In another scene, Maria effortlessly reveals her divine attribute by ensuring that Freder brokers the pact of unity between her father and Grot. In the.