Peter Paul Rubens' masterpiece, Venus and Adonis, is not only a significant work of art from the Baroque period in Europe during the 17th century, but also tells the story mythological that begins with love and ends in tragedy. Displayed at the Metropolitan Museum of Art, this painting is admired for representing the unique Baroque style of this era, as well as Rubens' particular use of the medium and the way in which it reaches those who view it. His attention to detail and astute use of symbolism within the painting helps viewers decipher the story, along with the values ​​of the time period in which Rubens lived. By studying the composition of the work and noting the historical context from which it comes, it is possible to understand Rubens' point of view and therefore connect to the painting in a way he never imagined. This painting, measuring approximately six by seven feet, is an enormous work that draws viewers directly in once they enter the room in which it is displayed. It is not covered by any glass and is in a very well-lit area, so it allows viewers to stand as close as possible to see the details of how Peter Paul Rubens handled his vehicle. Looking at the painting from a photograph is very different than seeing it up close and in person, because when you look at a photograph, you cannot see the texture of the paint which gives the painting its very delicate, unique and realistic quality. The work appears in excellent condition because most of the colors are still very rich and vibrant, like the red robe of Adonis (Rubens). While it is not possible to tell by looking at the piece directly, it has been said that previous use of x-rays for further analysis on the painting had discovered that initially, "Rubens gave A... medium of paper... was used to manage his media His handling of oil paint combines both loose and tight techniques, and these techniques are evident everywhere, from the ripples of Adonis' robe, to the soft shaded texture of the clouds in the sky (“Europa…”). what Rubens incorporates into his work is the use of dynamics and emphasis on action in his figures. In contrast to many Renaissance works of art, Venus "is actively, rather than passively, seductive", as she draws Adonis towards her. himself (Adams 350).Adonis is also caught in the midst of the action as he leans towards Venus, almost as if he wishes to stay with her.The theatricality in Venus's face is yet another aspect of the Baroque style, as it places emphasis on the emotions of the characters during their actions and allows viewers to connect to the mood of the story told through the work..